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When we debunk movie myths, it's usually bad news for lazy people. We've found that movies often undersell the difficulty of things like,,, and even. And I've verified through independent research that doing all four at once is not a realistic career goal.

The dream will never die. Fortunately, it turns out there are some fairly idiot-proof tasks which movies pretend are difficult. Story structure demands elements like clever arguments, plot twists, and wealthy billionaires dancing through shifting fields of laser beams, and it turns out reality is decidedly less crazy about those things.

Download integra face care system manual free. Where You've Seen It: Ocean's 12, The Thomas Crown Affair, Entrapment The Myth: In the world of heist films, art thieves are the Ivy League. The job requires a thief who appreciates culture, has the gumption to steal something famous, and, most importantly, possesses the skill set necessary to navigate complex fields of laser beams. The wealthy art thief from Ocean's 12 does gymnastics through the laser beams that protect all works of art. Xtract software cracked. Not only do they outclass bank robbers, with their regional American accents and bargain basement ski wear, but not caring about money also seems to be a prerequisite for stealing art.

'Bored by how rich I am' is the only discernible motivation of the titular billionaire in, who has presumably turned to this diversion after tiring of hunting humans for sport. More than anything else, the art thief is drawn by the challenge.

In, another retired Bond finds himself in a love triangle with Catherine Zeta Jones and Catherine Zeta Jones' ass, and the mismatched trio have to spend months preparing to steal a painting, even though the movie makes it clear that they both have superpowers (typically used to disappear behind moving trains, for some reason). Catherine Zeta Jones and Catherine Zeta Jones' ass learn to work as a team during laser beam practice. In Reality: Art heists are like bank robberies graded on the easiest curve possible. When two men stole Munch's The Scream in 2004, the crime was considered shocking because. In 2010, French officials marveled at the 'extreme level of sophistication' displayed by a thief who stole $100 million in art. We don't expect people who work at museums to be on top of the latest trends in the criminal underworld, but those are all things junkies remember to do when boosting stereo equipment. You'd think the main attraction would be the money, but according to experts, thieves typically have to ' of the art they've stolen.