From the opening lyrics on ’s latest effort, Midnight, they are clearly out for world domination: “Look out, they’re closing in on you now/Wake up, or you’ll wake up six feet down/Nobody’s got your back in this town/Knock em in the teeth now.” While some bands may get buried for using cliche phrases in their music, Set It Off make everything feel genuine and passionate on this record. By embracing the pressure of needing a sure-fire hit record on their hands (after signing a new deal with Fearless Records) the Tampa, Florida four-piece band deliver all over on Midnight. Breakdown their new album, Everything Not Saved Will Be Lost – Part 1., for: I like records where there’s an opening of a space.

You feel like you’re going through a wormhole, you’re going through a warp or it’s one of those old, cheesy TV effects from the ’60s where the picture wobbles and you know you’re into this alternate place. I think that this idea of making a record that has a define sense of place to it was important; it’s a very linked landscape. With that track, I just wanted it to be like a cleanser you go into it.

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The lyrics infer this idea of moving from the past into the future and it felt like the right way to start the record. Mark Hoppus and Alex Gaskarth sit down with to talk about: The first thing we did was like a diet blink-182 or diet All Time Low.

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It wasn’t great. We listened back and decided it wasn’t what we wanted to do at all. We started off with a completely different mindset.

We had this idea of everything opposite: Whatever you’d normally do, try and do something different. If something made us feel like it wasn’t something we wouldn’t normally do, we took it as a good thing. We were trying to get away from traditional recording techniques and embracing strange keyboard sounds and ratty, shitty guitars, buzzy subs and programmed drums. Released her fantastic debut album, Sucker Punch, today and breaks down the album for: “I wanted ‘Don’t Feel Like Crying’ to be a fun song,” she said. “I wanted it to be something to distract people from the sad stuff and just dance, and then when they listen to it at a club or a party with their friends, they’ll be like, ‘Woah! This is such a tune.’ But then when they listen to it alone, maybe on their way home from the party or going for a run or just sitting at home on the couch, they’ll be like, ‘Oh, this is actually really sad.’ I love that — when you can get the song to work in different types of environments.”.

While it may scratch more than one itch in terms of article and discussion content, it’s probably safe to say that the vast majority of us found Chorus.fm through a mutual love for music. Whether it’s listening to the classics that once mended your broken heart, or spotlighting new additions to soundtrack your growth — if you’re reading this, you’re probably the type of person that prioritizes a set of rumbling speakers before you even put on your seatbelt. You might also be the person that makes a night out of giving an anticipated new album a dedicated front-to-back listen — not daring to skip the three month old first single, of course. And hell, if you’re anything like me, you probably base what you choose to listen to on your surroundings. How long am I going to stand on this treadmill browsing my library before I eventually land on Yellowcard again, you ask? On average, maybe about 6 minutes. In any of those cases, and so many more, this feature is for you.

Welcome to the monthly. Each month I’ll be handpicking 30 songs that I think match that time of year, and sequencing them into a playlist for you to vibe out to however you see fit. Hopefully some names will be familiar, and hopefully some will give you a new discography to dive into.